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Arts Industry:

Participate Arts Industry

Honey Pot

Are you a programmer seeking the latest contemporary work to program for your festival, venue or event? If so, you may be eligible to experience hundreds of premiere performances and art exhibitions through the Adelaide Fringe Honey Pot program.

Now in its 8th year, Honey Pot is designed to create opportunities for works presented at Adelaide Fringe to go on to tour to other festivals, events and venues both nationally and internationally.

In 2015, Adelaide Fringe will again host up to 100 leading programmers during the Adelaide Fringe season. We will individually tailor your festival experience by helping you to navigate the Fringe Guide and by making recommendations of works that match your programming tastes.

Through Honey Pot there will also be fabulous opportunities for you to access accommodation support, request complimentary tickets, network with industry peers and meet Fringe artists at our Honey Pot Hive sessions, gain VIP entry to the Fringe Club and much more.

For Adelaide Fringe artists and companies who are registered to take part in the Honey Pot program, the initiative provides opportunities for touring, new commissions, collaborations, professional development and networking.

Honey Pot is designed to facilitate the building of long term genuine relationships between participating Fringe artists and arts industry professionals to create opportunities for works to have a life beyond the Adelaide Fringe.

The only boutique program of its kind in the world!

Applications for Honey Pot 2015 are now closed.

2015 Honey Pot applications have now closed. For further information please contact the Honey Pot Manager, Donna Tripodi via email at

Honey Pot is proud to be a finalist in the 2013 Australian Arts in Asia Awards.

Honey Pot Award Finalist Banner


Honey Pot 2014/2015  is supported by the Commonwealth through the Australia-Korea Foundation and  the Australia-Indonesia Institiute, which is part of the Department of Foreign Affairs and Trade.


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